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Galleria d'Arte Pescara, Milano Galleria d'Arte Pescara, Milano Galleria d'Arte Pescara, Milano Galleria d'Arte Pescara, Milano
  • MOSTRE
    • FUTURE
    • IN CORSO
    • PASSATE
  • ARTISTI
  • VIEWING ROOMS
  • JOURNAL
  • LA GALLERIA
  • SHOP
  • CONTATTI

LE ARTI, 1964-2020 | THE PRACTICE OF DRAWING

24 GIUGNO – 9 SETTEMBRE 2020

COMUNICATO STAMPA

RASSEGNA STAMPA

ONLINE EXHIBITION

  • Installation view, Vistamarestudio, Milano
  • Installation view, Vistamarestudio, Milano
  • Pino Pascali, Omaggio a Ceroli, 1966
    blueprint, 16 x 20 cm
  • Pino Pascali, Omaggio a Ceroli, 1966
    blueprint, 16 x 20 cm
  • Eileen Quinlan, Sandy, 2017
    silver gelatin print, gold toned, 101,6 x 78,7 cm
  • Eileen Quinlan, Dune Woman #11, 2017
    silver gelatin print, 101,6 x 78,7 cm
  • Rosa Barba, Entanglements, 2020
    video projection, cotton strings, variable dimensions
  • Rosa Barba, Entanglements, 2020
    detail
  • Installation view, Vistamarestudio, Milano
  • Getulio Alviani, superficie a testura vibratile “forma mentale”, 1972-98
    aluminum, wood, 42 x 42 x 1,8 cm; framed 58 x 58 x 1,9 cm
  • Getulio Alviani, quadrato virtuale, 1972-98
    aluminum, wood, 42 x 42 x 1,8 cm; framed 58 x 58 x 1,9 cm
  • Installation view, Vistamarestudio, Milano
  • Mimmo Jodice, Senza titolo, 1964, 1964
    vintage silver bromide print on baryta paper, image size 29 x 38,5cm; framed 60 x 60 cm
  • Mario Airò, Onement I - un tributo, 2020
    calligraphic tempera and plaster on board, 118,7 x 73,3 cm
  • Mario Airò, Onement I - un tributo, 2020
    detail
  • Joseph Kosuth, Beckett Inspection (Waiting for Godot), 2020
    printed in letterpress. Framed as one/no glass, 94 x 124,5 cm
  • Installation view, Vistamarestudio, Milano
  • Ettore Spalletti, Senza titolo, 2015
    pastel powder on paper, wooden frame, 25 x 50 cm
  • Joana Escoval, Using what you have to remember what you saw, 2019
    gold, parakeet feather, 60 x 63 x 19 cm
  • Joana Escoval, Using what you have to remember what you saw, 2019
    Detail
  • Installation view, Vistamarestudio, Milano
  • Installation view, Vistamarestudio, Milano
  • Tom Friedman, Hanger and Fly Swatter, 2020
    wire hanger, fly swatter, paint, solder, and monofilament, 45,7 x 15,2 x 30,4 cm
  • Lorenzo Scotto di Luzio, Peonie, 2020
    charcoal on cotton mounted on frame, 200 x 150 cm
  • Ettore Spalletti, Portacipria, 2013
    onyx, 5 x 25 cm
  • Haim Steinbach, (every single day), 2005
    graphite wall drawing, variable dimensions
  • Haim Steinbach, (every single day), 2005
    detail
  • Installation view, Vistamarestudio, Milano
  • Polys Peslikas, Alfio as a dog, 2017
    oil on canvas, 30 x 22 cm
  • Armin Linke, NASA Jet Propulsion Laboratory, Aerogel, a 99% air-base substance, Pasadena (CA), USA, 1999, 1999
    lambda print mounted on alu-dibond with wooden frame and floatglass, 50 x 60 cm
  • Installation view, Vistamarestudio, Milano
  • Linda Fregni Nagler, Little History of Subjugation. Animals: Lion, 2020
    hand retouched gelatin silver print, selenium toner, 42,5 x 61,5 cm
  • Linda Fregni Nagler, Little History of Subjugation. Young Falconers, 2020
    hand retouched gelatin silver print, selenium toner, 42,5 x 61,5 cm
  • Anna Franceschini, Biondo su corvino, 2020
    artificial hair and gift paper scan on photocopying paper A4, gr. 75, 44 x 32 cm
  • Anna Franceschini, Biondo su castano, 2020
    artificial hair and gift paper scan on photocopying paper A4, gr. 75, 44 x 32 cm
  • Installation view, Vistamarestudio, Milano
  • Andrea Romano, Potsherds of Gazes (1), 2019
    inkjet print on cotton paper, 56 x 42 cm
  • Andrea Romano, Potsherds of Gazes (2), 2019
    inkjet print on cotton paper, 56 x 42 cm
  • Bethan Huws, The relation is not formal: it’s conceptual, 2020
    diptych - collage, photocopy-note, post-it, postcard, mounted on museum cardboard; unique, 120 x 87 cm each panel

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