LE ARTI, 1964-2020 | THE PRACTICE OF DRAWING

Installation view, Vistamarestudio, Milano
Installation view, Vistamarestudio, Milano
Pino Pascali, Omaggio a Ceroli, 1966
blueprint, 16 x 20 cm
Pino Pascali, Omaggio a Ceroli, 1966
blueprint, 16 x 20 cm
Eileen Quinlan, Sandy, 2017
silver gelatin print, gold toned, 101,6 x 78,7 cm
Eileen Quinlan, Dune Woman #11, 2017
silver gelatin print, 101,6 x 78,7 cm
Rosa Barba, Entanglements, 2020
video projection, cotton strings, variable dimensions
Rosa Barba, Entanglements, 2020
detail
Installation view, Vistamarestudio, Milano
Getulio Alviani, superficie a testura vibratile “forma mentale”, 1972-98
aluminum, wood, 42 x 42 x 1,8 cm; framed 58 x 58 x 1,9 cm
Getulio Alviani, quadrato virtuale, 1972-98
aluminum, wood, 42 x 42 x 1,8 cm; framed 58 x 58 x 1,9 cm
Installation view, Vistamarestudio, Milano
Mimmo Jodice, Senza titolo, 1964, 1964
vintage silver bromide print on baryta paper, image size 29 x 38,5cm; framed 60 x 60 cm
Mario Airò, Onement I - un tributo, 2020
calligraphic tempera and plaster on board, 118,7 x 73,3 cm
Mario Airò, Onement I - un tributo, 2020
detail
Joseph Kosuth, Beckett Inspection (Waiting for Godot), 2020
printed in letterpress. Framed as one/no glass, 94 x 124,5 cm
Installation view, Vistamarestudio, Milano
Ettore Spalletti, Senza titolo, 2015
pastel powder on paper, wooden frame, 25 x 50 cm
Joana Escoval, Using what you have to remember what you saw, 2019
gold, parakeet feather, 60 x 63 x 19 cm
Joana Escoval, Using what you have to remember what you saw, 2019
Detail
Installation view, Vistamarestudio, Milano
Installation view, Vistamarestudio, Milano
Tom Friedman, Hanger and Fly Swatter, 2020
wire hanger, fly swatter, paint, solder, and monofilament, 45,7 x 15,2 x 30,4 cm
Lorenzo Scotto di Luzio, Peonie, 2020
charcoal on cotton mounted on frame, 200 x 150 cm
Ettore Spalletti, Portacipria, 2013
onyx, 5 x 25 cm
Haim Steinbach, (every single day), 2005
graphite wall drawing, variable dimensions
Haim Steinbach, (every single day), 2005
detail
Installation view, Vistamarestudio, Milano
Polys Peslikas, Alfio as a dog, 2017
oil on canvas, 30 x 22 cm
Armin Linke, NASA Jet Propulsion Laboratory, Aerogel, a 99% air-base substance, Pasadena (CA), USA, 1999, 1999
lambda print mounted on alu-dibond with wooden frame and floatglass, 50 x 60 cm
Installation view, Vistamarestudio, Milano
Linda Fregni Nagler, Little History of Subjugation. Animals: Lion, 2020
hand retouched gelatin silver print, selenium toner, 42,5 x 61,5 cm
Linda Fregni Nagler, Little History of Subjugation. Young Falconers, 2020
hand retouched gelatin silver print, selenium toner, 42,5 x 61,5 cm
Anna Franceschini, Biondo su corvino, 2020
artificial hair and gift paper scan on photocopying paper A4, gr. 75, 44 x 32 cm
Anna Franceschini, Biondo su castano, 2020
artificial hair and gift paper scan on photocopying paper A4, gr. 75, 44 x 32 cm
Installation view, Vistamarestudio, Milano
Andrea Romano, Potsherds of Gazes (1), 2019
inkjet print on cotton paper, 56 x 42 cm
Andrea Romano, Potsherds of Gazes (2), 2019
inkjet print on cotton paper, 56 x 42 cm
Bethan Huws, The relation is not formal: it’s conceptual, 2020
diptych - collage, photocopy-note, post-it, postcard, mounted on museum cardboard; unique, 120 x 87 cm each panel

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